I approach visual language as a system of relationships, rules, and conventions. Through acts of isolation, omission, repetition, and the alteration of signs, I explore how a minimal intervention can transform the way an entire system is read.
Rather than inventing a new visual language, my work reconsiders languages that are already embedded in everyday life. By making subtle interventions in familiar systems, I aim to reveal the assumptions, rules, and mechanisms of meaning that shape the ways we perceive, interpret, and navigate the world.
This work is based on a formal deconstruction of road sign no. 908, which refers to an obstacle or a narrow passage. The diagonal, as a central graphic form, disrupts linear movement and articulates a point of friction between motion and stoppage. From this visual language charged cartographic references emerge, and reassemble as an open system of divisions that do not converge into a stable boundary.